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Julia Everett

I am a painter of vivid abstract seascapes and I am endlessly fascinated by the horizon and the symbolism it evokes. I paint from memory rather than life, recalling a special moment of time as my starting point. I love working with pure colour and my paintings are heavily influenced by the beauty of the natural world, particularly light on water at certain times of day. Together with horizons, my work has a recurring theme of time and an exploration of light and darkness. I aim to express the timeless feeling of calm experienced when staring at the sea or the excitement of an explosion of colour in a sunset. Lately I have been mesmerised by the wonderful Hastings light on the horizon. I love that amazing shine on the sea and how it changes so quickly. It can go from shimmering lightness to moody grey in minutes. The colourful sunsets in Hastings are quite stunning and really captivate me as well.
Music is integral to my work, inspiring my artistic practice and I always listen to music to get me in the zone when painting and feel this has a strong influence on the finished work. For me music triggers memories and feelings and each painting is an emotional response to a sensory experience and an attempt to recapture how it felt to be in a particular place at a certain time. Lately I’ve been listening to a lot of dreamy folk music which I think adds an ethereal quality to the paintings. I always title my paintings from songs, with lyrics often jumping out at me while I'm painting that seem to fit the artwork perfectly. I feel that a snippet of a song lyric as a title gives the painting extra depth. I absolutely love living in Hastings and the sea provides me with endless inspiration. I did a Fine Art degree in Brighton and I feel very lucky to be living on the coast in this wonderful quirky town. My studio is a Summerhouse in my garden that has has a lovely view of the sky and sea that constantly inspire me.
I enjoy painting with my hands and with sponges as well as brushes. I paint with oil on canvas and often use the paint straight from the tube and mix it on the canvas with my fingers to get a blurry look. With my calm seascapes I like to blend the paint to achieve a gradual ombre effect. I don’t draw or sketch before hand, I start work straight on to the canvas as I like to experiment with colour and paint to see what happens. With my more complex sunsets, I tend to layer the paint, starting with a first layer of neon acrylic which can shine though to give light to the picture. Then when that’s dry I build up the oil paint on top to give contrast and texture.


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Painting
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Julia Everett